(500) Days of Summer: 9/10

(500) Days of Summer (2009)

The Charlie Brown of love tales, 500 Days of Summer is a cruelly charming and realistic look at unrequited love, 9 January 2010

I was angry at the characters. I was angry at the way the story was progressing. I was angry because I knew of the gloom and doom that was approaching. I was angry, because, I had been there, experienced that all before. I was angry because I didn't want to see it happen to someone else. That's exactly why 500 Days of Summer works as a heart-wrenching, soul-slamming romantic dramedy. This film is realistic, funny, charming, bubbly, and just a fantastic example of superb low-budget directing complimenting the low-budget writing. The movie is also utterly realistic and cleverly original, and becomes one of the better films of 2009.

In this soul-draining non-love story, we follow Tom Hansen (Joseph Gordon-Levitt) as he tries to pick up the pieces of his broken heart and figure out why his on-off girlfriend (Zooey Deschanel) does not ultimately return the undeniable love he has for her. The film goes in a totally non-linear format, resembling the jumbled-yet-well-structured storytelling style of Eternal Sunshine of the Spotless Mind. 500 Days of Summer never just presents the story either, there is a song-and-dance routine, a few documentary-like scenes, and even an extremely clever split-screen moment that has the expectations of Tom, and the actual reality that results. Bitterly written by Scott Neustadter and Michael H. Weber, it's obvious they brought personal experiences to the table. Only real life can craft such cruel moments.

Chemistry is what can make or break a romantic comedy. In this case, it's not only adorable and sensual, but it's downright real to the core. Gordon-Levitt and Deschanel deserve acting nominations for their work, because the chemistry they had together oozes all over the film in ways not seen often in the last decade. They are not two big major stars with epic looks falling for each other, they are down-to-earth individuals that became caught up in an awkward relationship, and their sensible mannerisms enhanced the charm and realism of the entire production. Zooey Deschanel doesn't have the Hollywood look, but her portrayal of Summer pretty much forces you to fall for her just as bad as Tom does.

Marc Webb, a somewhat-accomplished music video director, absolutely excels in his first feature film. He takes all the little quirks and fun techniques that are usually employed to short music videos, and sprinkles them all over the 95 minutes of seeing a relationship rise and fall. Just like Michael Gondry and Spike Jonze, the music video experience allows for him to think outside the box in presenting a cinematic story, resulting in a very original experience in terms of visuals. The best example of great direction in this movie is the superb expectation/reality sequence halfway in. And just like Jonze and Gondry, he can also catch emotion and heartbreak just as well as the most experienced. You are smiling when they are at their best, and on the verge of an emotional breakdown when you see them are their lowest. And with the roller coaster-like structure, the audience is never allowed to remain too happy or too sad for too long.

The narrator in the film from the very beginning warns that it is not a love tale. This couldn't be any closer to the truth. It's a gut-wrenching story, and it is a tale that we all experience. Finding what we think is The One, only to see her (or him) slipping away in favor of someone else. And like I said before (in a subtle manner), this movie avoids the Hollywood clichés and does deliver on its hurtful promises. You don't see a happy ending in the distance, yet yearn for one.

Where the movie hits the toughest note is the third act. For a movie that takes its time in presenting the highs and lows of the relationship, we are left with a very empty conclusion. Not all the questions were answered, and not all is explained. In a film that runs so deep in the beginning, it's rather disappointing to hit shallow waters towards the end. But maybe this is the intention. Are we ever meant to truly understand why something doesn't work? Are there cases in which there is no explanation, it's just that the relationship just never "clicked?" Can we ever truly learn from a failed relationship that has an abrupt ending?

Just like Tom and Summer in the beginning of the movie, our connection with the film and the relationship suddenly gets cut off with no explanation, leading to an ending that rushes right in. Maybe it is our personal duty to dwell, to learn, to figure it out, and to move on with the knowledge intact. I never see myself being satisfied at an abrupt ending (See: No Country For Old Men), but 500 Days of Summer gets the pass because the film itself is such a satisfying and practical representation of our relationships with people—even when we are not ready for the end.

Bottom Line: 500 Days of Summer is a beautiful film, no doubt about it. It's a brutally realistic story and an overall overwhelmingly charming experience that takes us through the highs and lows in life when sharing them with that current special someone. Besides the questionable ending, this movie has very few flaws thanks to excellent direction, excellent chemistry, and writing that sting the heartstrings like needles. If you are trying to mend new (or old) wounds (*raises hand*), this is the right film to watch to begin (or continue) the healing process. This film is not a love story, but it is indeed a story to fall in love with. Highly recommend.