Gravity: 9/10

And you think your job sucks...

Containing some of the most claustrophobic space action since Alien, Gravity is a very tense and visually stimulating movie that contains some of the best usage of special effects in film within the past several decades. In a fashion similar to 2001: A Space Odyssey, dialogue takes a backseat and all focus is on the imagery involving a struggle within the cold harsh world of outer space.

Every once in a while comes a movie that upon first viewing you become sure that it is going to nab every technical Oscar of the year. Terminator 2, Titanic, The Matrix, Inception, and Avatar comes into mind. Gravity falls into the same grouping because of its flawless usage of sound, camera-work, and special effects. Similar to how Jurassic Park shaped the way we see and hear dinosaurs on film, Gravity will be sure to do the same to outer space. With this film, outer space isn't just a backdrop, it is a true living, breathing environment that deserves to be respected and feared.

Without revealing too much, Gravity follows two astronauts as they struggle to survive within the boondocks of planet Earth when impending danger starts approaching their workspace. While the addition of George Clooney and Sandra Bullock doesn't exactly enhance the movie, their performances were quite good. But the best performance is that of Alfonso Curason, whose mix of close-ups, intense shots, elongated scenes, and astounding visual details makes this easily one of the best directing efforts in the past few years. The half decade spent on this production pays off, and it clearly shows why it took so long.

However, this movie's Hollywood mannerisms definitely hindered this from becoming a bonafide instant classic to the tune of 2001 (although I am in the minority and feel like Kubrick's space opera is a rather overrated work). Not seeing this in 3-D, it is obvious that some of the details in the movie were done less to move the plot and exercise the technical details and more because it was going to be released in 3-D and wanted to hand moviegoers its money's worth. Then there's the rather overbloated, overproduced, and overdramatic musical score done by a Doing-My-Best-Hans-Zimmer-Impression Steven Price. Against Hollywood wishes, the movie could have excelled even more relying purely on sound effects (and lack of) similar to No Country For Old Men.

Despite the two small gripes that prevent it from being a new-age Star Wars, Alien, or other sci-fi outer space masterpieces, Gravity is nonetheless a spectacular work of suffocating intensity that leaves you breathless throughout the merciful runtime of 90 minutes. Like the best visual works in film history, this is best enjoyed in the theater in front of a massive screen surrounded by darkness. In a year lacking of Best Picture quality films (so far), Gravity stands tall as the first great movie of the fall season.

Just be prepared to take deep breaths. This movie will take them away.